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・ Papa Alassane Ndiaye
・ Papa Alioune Diouf
・ Papa Alioune Ndiaye
・ Papa Bear
・ Papa Bear (song)
・ Papa Beaver's Storytime
・ Papa Blues
・ Papa Bois
・ Papa Bouba Diop
・ Papa Bue
・ Papa Camara
・ Papa Can You Hear Me?
・ Papa Cantella's Sausages
・ Papa Celestin
・ Papa Celestin's Golden Wedding
Papa Charlie Jackson
・ Papa Charlie McCoy
・ Papa Chico
・ Papa Cidy
・ Papa CJ
・ Papa Clem
・ Papa Cristo's
・ Papa Dadson
・ Papa Dee
・ Papa Demba Camara
・ Papa Don Schroeder
・ Papa Don't Leech
・ Papa Don't Preach
・ Papa Don't Take No Mess
・ Papa Doo Run Run


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Papa Charlie Jackson : ウィキペディア英語版
Papa Charlie Jackson
Papa Charlie Jackson (November 10, 1887 – May 7, 1938)〔Eagle, Bob L., LeBlanc, Eric S. (2013). ''Blues: A Regional Experience''. ABC-CLIO. p. 513. ISBN 0313344248.〕 was an early American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924.〔 Much of his life remains a mystery, but his draft card lists his birthplace as New Orleans, Louisiana, and his death certificate states that he died in Chicago, Illinois on May 7, 1938.
==Career==
Born William Henry Jackson,〔() 〕 he originally performed in minstrel and medicine shows.〔Harris, Sheldon (1994). ''Blues Who's Who'' (Revised Ed.). New York: Da Capo Press. p. 263. ISBN 0-306-80155-8〕 From the early 1920s into the 1930s, Jackson played frequent club dates in Chicago, and was noted for busking at Chicago's Maxwell Street Market.〔 In August 1924, he recorded the commercially-successful "Airy Man Blues" and "Papa's Lawdy Lawdy Blues" for Paramount Records. One of his following tracks, "Salty Dog Blues", became his most famous song. Among his recordings are several in which he accompanied classic female blues singers such as Ida Cox, Hattie McDaniel, and Ma Rainey.
Blues writer Bruce Eder says that Jackson achieved "a musical peak of sorts in September of 1929 when he got to record with his longtime idol, Blind (Arthur) Blake, often known as the king of ragtime guitar during this period. 'Papa Charlie and Blind Blake Talk About It' parts one and two are among the most unusual sides of the late '20s, containing elements of blues jam session, hokum recording, and ragtime".〔 A few more recordings for the Paramount label followed in 1929 and 1930.〔 In 1934 he recorded for Okeh Records, and the following year he recorded with Big Bill Broonzy.〔
Altogether, Jackson recorded 66 sides during his career.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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